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My practices lies at the intersection of the analogue and the digital, each way of working informing the other. This reciprocal relationship between types of media and technology is central to my practice and is testament to the power of interdisciplinary artistry where the convergence of mediums creates new realms of possibility. I utilise AI not as a neutral or purely instrumental technology, but as part of a broader convergence of systems: technological, historical and perceptual. I approach these systems critically and reflexively, acknowledging their power to structure vision, authorship, and meaning, while remaining attentive to the personal and ethical boundaries they impose.

 

Framing Frontiers addresses boundaries on multiple levels: personal, technological, and societal. The work visualizes the enduring ambivalence that accompanies human innovation—the tension between aspiration and risk, empowerment and loss of control. By linking Renaissance visions of flight with contemporary AI-driven image production, the work reflects on recurring patterns of hope, hubris, and consequence embedded in technological progress. 
The addition of a symbolic Icarus figure—also readable as a young Leonardo da Vinci with an early flying machine—emerged from my interest in historical moments when imagination outpaced technical feasibility, mirroring current dynamics around AI. Personal limitations and lived experience also inform the work, sharpening my awareness of boundaries, vulnerability, and agency.
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