My practice is driven by an investigation of technological breakthroughs and the consequences they might have on human imagination and agency. I am drawn to explore how contemporary tools, such as AI, reshape our relationship to images, bodies, and histories, and how artists can remain conscious agents rather than passive operators of technology. My practice unfolds in a liminal space between performance, documentary, and imagination. It exists at the intersection of personal experience, technological mediation, and historical reference. This is a space where embodied artistic action meets digital augmentation, and where subjective perception is continuously negotiated against external systems of optimization, automation, and control.